Sylenth1 is a virtual analog VSTi synthesizer that takes the definitions of quality and performance to a higher level. Until now only very few software synthesizers have been able to stand up to the sound quality standards of hardware synths. Sylenth1 is one that does.
Sylenth1 is not just another synth. It was built from a producer’s point of view. It was built to produce superior quality sound and music. It was built to perform. A lot of research has been invested in order to achieve unheard warmth and clarity. The graphical interface ensures the highest level of usability so you can fully unleash your creativity.
At its core Sylenth1 houses 4 alias-free unison oscillators, which generate analog shaped waveforms. Each oscillator is capable of producing 8 unison voices in full stereo, adding up to a total of 32 voices per note. With its 16 notes of polyphony this means you can play up to 512 voices simultaneously! The oscillators perform extremely well in both the very low (down to 0.01Hz and below!) and very high (all the way up to half the samplerate) frequency regions without losing their sharpness, liveliness or character. This makes them well suited for all kinds of sounds, from the deepest basses imaginable to the highest crystal clear bells.
On top of that there are 2 state of the art, pure analog sounding filter sections. Each of these consists of 4 filter stages with nonlinear saturation incorporated, in order to emulate the warmth and drive of a real analog filter. The resonance control can be turned up to a level way beyond self-oscillation and combined with the drive control this makes it possible to let the filters SCREAM! Where a lot of digital filters sound like they’re made out of cheap plastic, these filters sound rock-solid, warm and raw.
Sylenth offers many modulation options to sculpture the sound any way you like. There are 2 ADSR envelopes and 2 LFO’s which can be used to modulate a whole set of different parameters. Next to that, it is possible to use the extra 2 amplitude envelopes, velocity, keyboard track or modulation wheel as a source for modulation.
The final part of this synth is the master effects section. A set of 7 professional quality sound effects and an arpeggiator, conveniently grouped into an LCD panel structure.
Arpeggiator – 10 different melodic modes, built-in step sequencer with adjustable pitch, velocity and hold settings. Outputs Step Velocity as a modulation source.
Distortion – Five different types of distortion (overdrive, foldback, clip, decimator and bitcrusher) in full stereo, uses 4x oversampling to minimize aliasing artifacts.
Phaser – 6-Stage stereo phaser, with 2x oversampling, an embedded LFO, feedback and frequency spread adjustment.
Chorus/Flanger – 4-Stage stereo chorus, with 2x oversampling, adjustable delay time, depth, rate and feedback for flanging effects.
Equalizer – Bass and treble adjustment by frequency and amplification.
Delay – Delay module with low and high pass filters, unique echo smearing function, pingpong mode with stereo spreading, independent left and right delay time and adjustable stereo width.
Reverb – Smooth reverb with adjustable pre-delay, damp, size and stereo width.
Compressor – Stereo compressor with attack, release, threshold and ratio settings, which can be used to increase punch, drive, warmth and analog feel of your sounds.
With all the functionality and processing horsepower mentioned above, you might expect that this synth would max out even the fastest CPU in no-time, especially considering the high sound quality of each single voice and effect. Well, one of the many benefits of this synth is that it doesn’t. It uses highly optimized code and SSE instructions in order to reduce the CPU usage to a minimum. It will also automatically turn off any parts that are not used, to save extra CPU time. This enables you to create pure quality sound using only minimal system resources.
Ultra-high-definition television (also known as Super Hi-Vision, Ultra HD television, UltraHD, UHDTV, or UHD) includes 4K UHD (2160p) and 8K UHD (4320p), which are two digital video formats proposed by NHK Science & Technology Research Laboratories and defined and approved by the International Telecommunication Union (ITU). The Consumer Electronics Association announced on October 17, 2012, that “Ultra High Definition”, or “Ultra HD”, would be used for displays that have an aspect ratio of at least 16:9 and at least one digital input capable of carrying and presenting native video at a minimum resolution of 3840×2160 pixels.
Super Hi-Vision specifications:
Two resolutions are defined as UHDTV:
4K UHDTV (2160p) is 3840 pixels wide by 2160 pixels tall (8.29 megapixels), which is four times as many pixels as 1920×1080 (2.07 megapixels).
8K UHDTV (4320p) is 7680 pixels wide by 4320 pixels tall (33.18 megapixels), which is sixteen times as many pixels as current 1080pHDTV, which brings it closer to the detail level of 15/70 mm IMAX. NHK advocates the 8K UHDTV format with 22.2 surround sound as Super Hi-Vision.555
The suffix “p” in 2160p and 4320p stands for progressive scan or non-interlaced.
The gear to shoot it may not precisely be broad, and the presentations expected to view it at home are even less along these lines, yet 8K feature has advanced toward YouTube. It’s an element the outfit declared path in 2010, however just barely as of late did a clasp surface that really utilizes those lines of determination. The cut’s called Ghost Towns and its a moderate panning excursion through what resembles an as of late relinquished mining settlement. Mountain View told 9to5Google that the 8K mark was included recently, however 4320p footage has just seemed pretty as of late. The feature depiction noticed that Ghost Towns was given utilizing a RED Epic Dragon 6K camera in picture introduction and to hit the higher determination, a portion of the footage was upscaled or sewed together with Adobe’s After Effects suite.
Not very many of us will have the capacity to watch this on our regular machines because of the sheer measure of framework assets it takes to handle a feature of this size, however the individuals who can ought to be cheerful to know it evidently keeps running in Chrome and Safari. Obviously, you can peep it in lesser resolutions underneath too.
YouTube has this 8K video (that nobody can observe)
The legendary waveshaping sound of Z3TA+ (zay’-ta) is back – and better than ever. New filters, modulatable waveshapers, flexible effects, expressive control and a gorgeous new interface make Z3TA+ 2 one seriously powerful synth. It’s not often that a soft synth can be called a classic, but in the case of Z3TA+ it’s definitely appropriate. Used on countless tracks over the past decade, Z3TA+’s distinctive sound has been a staple of electronic artists the world over.
Bigger and Badder
Z3TA+ 2 has a completely redesigned interface that inspires performance and makes sound design clear and comfortable while preserving that signature sound that has made it a favorite of top producers and musicians around the world. Explore all the new features
Harness the power of this modern classic with a much more spacious interface featuring logical enhancements and quick access to needed controls. See more information and access more visible parameters, including all Waveshaper controls in the Oscillator section and waveform previews in drop-down menus.
Z3TA+ 2 comes with thousands of expertly crafted sounds and numerous overall improvements. With 14 dual-stage filter types, a massive Modulation Matrix, highly flexible FX section, and 16 Waveshapers for each of its 6 Oscillators, the sound design possibilities are limitless.
The Sound of a Classic, Only Better
Z3TA+ 2 has a wealth of new sound design capabilities including new filter types, new waveshapers, new modulation destinations and a revamped effects section.
Z3TA+ 2’s effects section features easy routing of all effects and a new, flexible distortion module. The distortion module includes the new Hypertube algorithm and can effect the filter busses, the effects section, or both.
New Filter Types
The Filter section has 4 new filter types bringing the total to 14. Both filters are now readily accessible and visible simultaneously with Separation control for tweaking resonance peaks on stacked filters.
New Waveshaping Modes
Fold: Folds the entire waveform over itself by progressively swapping the left and right halves.
Spectrum: Harmonic levels wander in alternating directions creating a complex phaser-like quality.
Random All: Creates continuously random variations of all harmonic levels.
Random Odd: Only odd harmonic levels are randomized, while even harmonics are progressively suppressed.
Enhanced Modulation Matrix
All 16 Waveshapers are now accessible via the Modulation Matrix opening up a huge variety of new sound shaping possibilities.
New Graphical LFOs clearly show the resulting LFO shapes when morphing between 2 waves and the new AMOUNT fader quickly scales an LFO’s intensity.
New Graphical Arp provides visual display of Arp patterns, including 100 new patterns and 50 new ‘Gate’ patterns from Dance MIDI Samples. Instantly apply trance gates to synth pads and leads and increase total Arp flexibility and expression with Humanize and Swing controls.
New Graphically Controlled Envelopes feature an improved design and provide visual representation and realtime feedback of all Envelope Generators.
Z3TA+’s legendary sound engine has been improved with a new ‘HIGHEST’ SRC algorithm providing smoother, more accurate interpolation of wavetables. Of course, the sound of original Z3TA+ patches have been faithfully preserved.
The Performance Module gives quick, hands-on control of the analog-simulating Burst and Drift parameters as well as Portamento and in-depth X/Y pad control. New speed control for X/Y Pad adjusts the morphing speed of X/Y coordinates.
Adaptive Pitch Bend
Adaptive Pitch Bend allows for the bending of notes within the key and mode performed and automatically learns the key based on performance.
How To Install Nexus 2 VST and Third Party Expansions
This video will teach you how can you install refx nexus 2 vst and third party expansions.
1. Run the Setup
2. Accept the Windows security warning.
3. Set the location of the VST.
4. Wait for the Installation to complete.
5. Run Ableton live.
6. Open Nexus, Select any preset and Make a midi.
For Installation of Third party Expansions in Nexus 2
1. Delete the Pre-installed Expansion Folder (e.g. Installer Data and Nexus Content Folder)
2. Run Ableton Live
3. Run Nexus and Select import from sys tab.
4. Now locate the expansions.
This video will guide you how can you install fl studio in your system and start producing music.
1. Run the Setup File.
2. Accept the Windows security Warning.
3. Accept the Terms and Conditions.
4. Select all the Check boxes for Full Installation.
5. Select the Installation location of FL Studio.
6.Select the Installation location of FL Studio Plugins.
7. Install Or Skip Tune up Utilities Promo offer.
8. Please wait for the completion
9. Install the ASIO Drivers.
10. Now Run Fl Studio and Start Producing Music.